INTEGRITY, FAITH, AND CROCODILE TEARS.
≪ ARIES ≫
≪ SETTING ≫
≪ FRONT END HIRES ≫
AKIRA KURUSU;; secretary, front desk
TOHRU ADACHI;; filing, back-end work
JONATHAN SIMS;; archivist, fieldwork interrogation
≪ BACK END HIRES & AFFILIATES* ≫
FELIX;; associate, hired mercenary
KAIRI SHISHIGOU;; associate, trade partner
HYAKUNOSUKE OGATA;; scout & sniper
VASILY;; scout & sniper
*back end hires are usually considered separate workers to the front end hires, and back end hires are often personally contracted by steven to work individual cases that may not be as simple at first glance. the two groups rarely, if ever, really intersect.
ah-rees; an information networking office set up by steven a. starphase, located in the inner sides of the heart at the nightside. it primarily works as a neutral ground, taking a variety of clients and jobs, mapping every corner of the nightmarish city.
aries is located in a moderate-sized office building in a rather strange location of the nightside, somewhat near its heart. though seemingly unassuming from the outside, those more sensitive can feel arcane magicks that wrap around the building, acting as a defense system against outside attacks.
the building has a first floor reception, with a front desk accompanied by a projection of the secretary. the inner offices are inaccessible without direct approval from the secretary or steven himself; otherwise, the elevators spit guests back out to some strange mystery floor in some other building in the nightside.
there are a couple of floors, many of them dedicated to archiving and storage of valuable tools. the topmost 4th floor is steven's main office, loosely modeled after libra's main office with its open windows and comfortable (but still professional) atmosphere. there are decorations of plants to add some green, but they're all fake. the main office has a large set-up of computers and wires, from which steven primarily does work. the main office floor branches out to a large archives room on one end, and an equally large server room on the other.
the elevator goes from 4F to B2; B2 is apparently closed off.
4F;; main office
3F;; tech & bio-labs
2F;; tools and items storage
1F;; ground floor, reception
B1;; archives
B2;; ???
the building has a first floor reception, with a front desk accompanied by a projection of the secretary. the inner offices are inaccessible without direct approval from the secretary or steven himself; otherwise, the elevators spit guests back out to some strange mystery floor in some other building in the nightside.
there are a couple of floors, many of them dedicated to archiving and storage of valuable tools. the topmost 4th floor is steven's main office, loosely modeled after libra's main office with its open windows and comfortable (but still professional) atmosphere. there are decorations of plants to add some green, but they're all fake. the main office has a large set-up of computers and wires, from which steven primarily does work. the main office floor branches out to a large archives room on one end, and an equally large server room on the other.
the elevator goes from 4F to B2; B2 is apparently closed off.
LOCATION NAME
DESCRIPTION OF LOCATION
DESCRIPTION OF LOCATION
*back end hires are usually considered separate workers to the front end hires, and back end hires are often personally contracted by steven to work individual cases that may not be as simple at first glance. the two groups rarely, if ever, really intersect.
I WANNA DO BAD THINGS WITH YOU.
"Oui, this is Steven.
Sorry but I'm preoccupied at the moment.
Leave a message and I'll call you later."
Sorry but I'm preoccupied at the moment.
Leave a message and I'll call you later."
THIS AIN'T NO PLACE FOR NO BETTER MAN.
OH, DARLING
you're a million ways to be cruel.
I. LITTLE TALKS by OF MONSTERS AND MEN
some days I don't know if I am wrong or right / your mind is playing tricks on you my dear
II. LOVE RUNS OUT by ONEREPUBLIC
there's a maniac out in front of me / got an angel on my shoulder and mephistopheles
III. WHO WE ARE by IMAGINE DRAGONS
it's who we are / doesn't matter if we've gone too far
IV. HEY BROTHER by AVICII
oh, if the sky comes falling down, for you / there's nothing in this world i wouldn't do
V. MONSTER by IMAGINE DRAGONS
if i told you what i was, would you turn your back on me?
and if i seem dangerous, would you be scared?
VI. GOTTA TALK TO U by SEUNGRI
i have so much to say to you today / will you please listen to what i have to say?
VII. RUN by KILL IT KID
run run, honey run on now / run run, god's gonna see you go
VIII. GODDAMN THESE HANDS OF MINE by THE TAXPAYERS
so goddamn this city / goddamn these people / goddamn this weather /
and goddamn these broken down hands of mine
IX. HEAVY IS AS HEAVY DOES by MENOMENA
i did it for survival / but i looked like the asshole anyway
X. NOT SO DENSE by DEER TICK
have you ever felt too far gone to be a sinner /
but you know yourself too well to ever be a saint?
XI. I WOULD HURT A FLY by BUILT TO SPILL
there's a mean bone in my body /
it's connected to the problems that i won't take for an answer
XII. TALK SHOW HOST by RADIOHEAD
you want me? / fucking come and find me
XIII. SINISTER KID by THE BLACK KEYS
and that's me, that's me / the boy with the broken halo
XIII. TOO OLD TO DIE YOUNG by TIMBRE TIMBER
i'm givin' it, givin' it, givin' it givin' it all up now
XIV. BAD THINGS by JACE EVERETT
i don't know who you think you are / but before the night is through /
i wanna do bad things with you
XV. THE FALLEN by FRANZ FERDINAND
drink to the devil and death at the doctors!
XVI. A MILLION WAYS by OK GO
sit back, matter of fact /
teasing, toying, turning, chatting / charming, hissing, playing the crowd /
oh darling, you're a million ways to be cruel
XVII. THE ONE WHO LAUGHS LAST by DOWNPLAY
'cause i'd crawl on broken glass / to be the one who laughs last
XVIII. MY DEMONS by STARSET
take me high and i'll sing / oh you make everything okay, okay, okay
XIX. IRON by WOODKID
i am frozen to the bones / i am a million mile from home
XX. PLEASE DON'T... by K.WILL
please don’t, please don’t leave / don’t know why, don’t know why /
it’s not even raining but outside the window / you grow white and farther apart
CODE BY JUSTLIKEBART
IT'S WHO WE ARE, DOESN'T MATTER IF WE'VE GONE TOO FAR.
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